Mysterious Emarcy Reissues
MG-36004
MASTERDISK
MG-36004
MASTERDISK
Welcome back again to JBJ Jazz Lab.Yes, this time, The battle is fierce and interesting!Bill Evans Portrait In Jazz Polydor Japan reissue in the mid 70’s and Victor Music Japan reissue in the mid 80’s.This is my 1st time obtaining these copies at the same time.As you know, Victor music reissues are common, either SMJ…
To me, this is one of the best live session of Art Blakey and The Jazz Messengers.Art Blakey and The Jazz Messengers At Renaissance Club by King RecordBut…somehow, this album is not that known and popular outside of Japan. I don’t know why…Great, unissued live sessions by The Jazz Messengers recorded at Renaissance Club in…
I really don’t know why but Japanese companies like Toshiba EMI or King Record were not able to acquire the original master to cut their Bue Note reissues for many years.Great series like LNJ or BNJ from Toshiba EMI, GXF and GXK series from King Record were not cut from the original master from the…
Blue Mitchell is a great trumpeter and Jazz musician. But his albums are not that many on Blue Note to compare to the other legendary trumpeters like Lee Morgan, Freddie Hubbard, Donald Byrd and the rest.Among few available titles of Blue Mitchell on Blue Note, this Japanese reissue is the only available reissue on the…
I think, this reissue by King Record, K18P series is interesting.Stanley Turrentine Look Out! Blue NoteWhat is interesting is that King Record at that time (in the early 80’s) used the MONO master not STEREO. Toshiba EMI Japan later on reissued the same title in the early 90’s but they used the STEREO master.You can…
You know the Blue Note Unissued Master Series by King Record, right?This time, I want to talk about the greatness of this series.In the late 70’s, King Record started releasing un sessions of Blue Note recordings with GXF serial.If I count, there are more than 20 titles released at that time.Most of the titles released…
The 7-logo red Mercury label was used between 1972 and 1974. Plus, according to Discogs, Masterdisk started using the name in 1973. Furthermore, Discogs lists a Trip label special market release of this Sarah Vaughan record from 1974. Together, the clues tells us that this reissue is likely to be from 1973.
As for the source, since Masterdisk was the main mastering studio for Mercury, the release probably used the original tape or its direct copy. The fact that the sessions were recorded in the same city (NYC) adds to the likelihood of the guess.