Mysterious Emarcy Reissues
MG-36004
MASTERDISK
MG-36004
MASTERDISK
I love Charles Mingus. He was a great Jazz musician, composer and producer. Among huge volume of albums he issued, this titile,The Clown Charles Mingus on Atlanticis one of his best.The history of Japanese reissue of this titile, The Clown is a kind of interesting.The first reissue was done by Victor Music Japan in 1957….
To me, this is one of the best live session of Art Blakey and The Jazz Messengers.Art Blakey and The Jazz Messengers At Renaissance Club by King RecordBut…somehow, this album is not that known and popular outside of Japan. I don’t know why…Great, unissued live sessions by The Jazz Messengers recorded at Renaissance Club in…
Toshiba EMI in the early 90’s did a great job reissuing 10 inch Blue Note series, known as BLP 5000 series.Original 10 inch Blue Note BLP 5000 series CollectionThat is the name of the series.I believe they are the 1st company did that approach all around the world. Later years Universal Music US did the…
I don’t know you guys still remember I did this OBI Poll.I selected 3 types of OBI by King Record, all Blue Note reissues. I know, many of you contributed to vote, right?But!! I must admit that our customer base is small, and in total, 44 people voted (including me! haha). Thank you very much!!Now,…
I really appreciate Tom and John for the great information concerning the previous blog post. I learned a lot! Also thank Manuel for a great comment! This Hank Mobley Blue Note BLP 1568 session was recorded in 1957. That is the time of transition from MONO only recording to STEREO recording. John shared a screenshot of the…
This is not a big deal but maybe interesting to you guys…Among many Blue Note Reissue Series Toshiba EMI manufactured, there is a kind of interesting thing they did with BLP Series in the mid 80’s.What they did is that for the 1st pressing of that reissue BLP in the mid 80’s, they used a…
The 7-logo red Mercury label was used between 1972 and 1974. Plus, according to Discogs, Masterdisk started using the name in 1973. Furthermore, Discogs lists a Trip label special market release of this Sarah Vaughan record from 1974. Together, the clues tells us that this reissue is likely to be from 1973.
As for the source, since Masterdisk was the main mastering studio for Mercury, the release probably used the original tape or its direct copy. The fact that the sessions were recorded in the same city (NYC) adds to the likelihood of the guess.