Peculiar Culture Of Jazz Kissa In Japan Is it a Cult or What?

Even if Jazz Kissa was mostly men dominant, beautiful women were always there to serve you GUYS! haha. This is taken from one of the articles of Swing Journal in 1967. They featured some of beautiful girls working at Jazz Kissa including Funky.

Yes, we talked about Jazz Kissa history in Japan.

But...Jazz Kissa had a really peculiar culture, most of the people call it
That is Cult!
An English man, who later became Japanese and famous Music Journalist, Peter Barakan came to Japan, Tokyo for the first time in 1974. 
At that time, he was working at a music company. And, with having not enough money to buy records and equipment to listen to music he loves, he got a rumor about Jazz Kissa, yes, the one I featured, 
Funky in Kichijoji Tokyo
He went there for the 1st time, and, he requested a song to play,
Herbie Hancock, Chameleon Headhunters
You know, the Headhunters was released in 1973 and the album, at that time, was really popular. But...
At the time the song, Chameleon started playing,
All the customers in the Funky started frowning and left the shop!!
Yes, that is the culture of Jazz Kissa those days.
Patrons of Jazz Kissa strongly believe that Jazz is the Hard Bop!,Fusion, Soul Jazz, Free Jazz, Jazz Funk are not their Jazz at all and they really detested them!

In addition, Jazz Kissa back in 60's and 70's had a kind of "TESTAMENT".
  • Music should be played LOUD ENOUGH! -You know, the main cast for Jazz Kissa is not coffee or food served but JAZZ! so, they should play the Jazz really loud so that nobody can talk!
  • Never chat to each other, just listen to the music in silence! - Yes, In Jazz Kissa at that time, you should not talk or chat inside, if you do, you are in trouble man! they will tell you to "GET OUT OF HERE!!"
  • Never request so called, POPULAR TITLES to play. - One Jazz collector once said in his interview, when he was in university in his early 20, he went to one of the famous Jazz Kissa in Tokyo for his curiosity. There, he requested the owner of that Jazz Kissa, to play -Kind Of Blue By Miles Davis. The owner frowned....but he played the Kind of Blue. But...all the patrons of that Jazz Kissa looked at him with rage silently, what he recalled, it was a silent pressure from them  saying, - What!? don't request that kind of song young man, just go home and listen to it at home, not here!
That is a common culture of Jazz Kissa at that time. Actually, most of the high schools in Japan banned the students to step in to those Jazz Kissa that THEY (SCHOOLS) considered Jazz Kissa as  "Immoral" to the kids, haha.
In some sense, I think it is true, the patrons are there in Jazz Kissa for hours just listening to Jazz and never talk, smoking and sipping just a cup of coffee with loud Jazz music played!

Despite of this odd, peculiar culture of Jazz Kissa, I think this trend really helped to make a strong foundation of Jazz Music Culture here in Japan. I tell you, now , very few Jazz Kissa inherited this old style culture. Even with Funky, it has been changed and really become like an ordinary Jazz Bar. by Takashi

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2 Comments

  1. Another interesting chapter in the Jazz Kissa story. Keep them coming. I have a question Takashi. During the 1950’s did the records stores in Japan import Blue Note albums and the like from the United States or did the private collector/fan have to make these orders themselves?
    Peter Lambert

    1. Peter, thanks for your great comment! Back in those days, it was really difficult for you to get Jazz vinyl records. There were no reissues and most of the Jazz Kissa owners got a connection with the US military people to get the Jazz LPs from them. Some, like the owner of Funky had their relatives who were living in the US and they were importing them. In anyway, it was a difficult time.

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